In 1816, Mary Shelley tells a terrifying story by a campfire that inspires her novel “Frankenstein.” In 2240, post-human beings look back on humanity’s downfall, guided through a museum of human antiquities. Jordan Harrison’s play “The Antiquities” explores the timeline of technological advancements leading to the demise of mankind. Through 12 exhibits, from prosthetic fingers to advanced A.I., the play showcases how inventions eventually overtake natural intelligence and destroy humanity.
The play’s structure is compelling, with recurring themes and characters linking the scenes. Some moments are poignant and thought-provoking, while others feel like filler. As the timeline leads to the end of humanity, the play raises questions about the value of life and the consequences of technological advancement. It emphasizes the fleeting nature of human existence and the inevitable extinction of the species.
Directed by David Cromer, the production is minimal yet impactful, with excellent set, lighting, and costume designs. While the play’s poetic logic is engaging, the last third strains to justify its existence. Ultimately, “The Antiquities” serves as a morality pageant, exploring the hubris of humanity and the consequences of playing god with technology. It questions the desire to survive and create, suggesting that this ambition may lead to downfall.
Overall, “The Antiquities” is a thought-provoking play that explores themes of mortality, technological progress, and the fleeting nature of human existence. It challenges audiences to reflect on the impact of technology on society and the potential consequences of advancements that may lead to extinction.
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